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| Shallow depth of field can be used to separate a subject from its background drawing more attention to the subject. You will often see this effect in portraiture where a wide aperture e.g. f/2 has been used to make the sitter stand out from a blurred background. |
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| Conversely you may want to show the subject in context with it's surroundings. For example if you are in an artist's studio you may choose to show the artist with his or her artworks on the wall as well as brushes and paints in the foreground all in focus. This requires extensive DOF and means using very small apertures e.g. f/22 |
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| Generally you will want extensive DOF for landscapes with everything sharp from foreground to background. You will need to stop the lens down to a very small f/stop and therefore you will need to use a slower shutter speed to produce enough exposure. In turn the longer exposure will require the use of a tripod (or other means of steadying the camera). |
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| Depth of Field extends approximately one third in front of the point of focus and two thirds behind it. So to maximize the DOF focus one third of the way into the scene and stop down to a small aperture. |
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Depth of Field is also affected by the distance from the subject;
The closer the subject the shallower the DOF, when doing extreme close-up photography you will find just how critical focus becomes. If you are trying to photograph a bee on a flower you will find that if the bee's eye is in focus, its backside is out of focus!
With a more distant subject DOF will be much greater. |
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| The focal length of the lens in use will also influence the DOF. Wide angle lenses (e.g. 17mm) produce images with more DOF. Telephoto and tele-zoom lenses (e.g. 300mm) give much narrower DOF. |